Curated at Hissa
Arpita's journey began at Kala Bhavan, Santiniketan as an undergraduate student and moved to Baroda to pursue her Masters and the change of locale broadened her creative outlook.
Govind Vishwas's works explore the natural phenomenon and their impacts on the physical environment. Growth and transformation are ingrained within the very structures of these natural occur
Chhering explores portraits for their ability to express multi-layered meanings. Personal stories can be mulled upon through the character’s visage.
Priyanka is interested in the intersections and relationships of facts and make-beliefs.
Himmat observes the frescos depicting various mythological stories through pictorial language.
Objects that are in the surroundings and are part of his daily life. Sometimes moments of thought coming across the minds or certain awareness experiences leave him inspired to present them
He is Vadodara based artist and works with handmade paper pulps and various textures.
Vasudha Bakshi is an abstract expressionist. a literature graduate, she is interested in expressing that which lies beyond the scope of language.
Shachi got her Diploma in Painting from C.N. Collage of Fine Arts, Ahmedabad in 2010 and Post-diploma in Print-making from M.S.U. Faculty of Fine Arts, Baroda, 2013.
Suvendu did his MFA in painting from Visva Bharati University, Kalabhavana, 2020. Has been a part of many group and solo shows.
Mansi’s practice resolves around the concept and idea of change. Which she has tried to show through her process. Mark making has played a vital role in her entire process.
Akshata’s passion for painting landscapes and observational drawings around nature found expression in the medium of Tapestry weaving, which she calls painting with yarn.
Harman seeks to define a new type of aesthetic with resin.
Imran plays around the thread that divides surrealism and humour. Often his mind would wander around things that otherwise wouldn’t tune together.
The formless phenomena of thoughts, ideas and feelings that Sarika experience inher life are clarified through her practice in printmaking.
The subject matter of Lajja’s works deals with Phallus and Vagina, also known as Ling and Yoni in Hinduism, respectively.
Sheena’s works are a collage of impasto doodles, dots, scribbles, scratches and occasional biomorphic forms that float on an atmospheric background.
Avni’s artistic practice takes inspiration from subconscious moments and beliefs prevalent in Indian culture, rituals, habits, behaviours, and memories
With all of the buzz around NFTs and cryptography, it is only fair to clear the air and provide some context so that the next time you hear about NFTs in a conversation, you can add.
The transition from to Romanticism is marked by changes in society that rejected the previous notions of the Enlightenment and Rationalism. Dwell into the fascinating history of Art.
"Then, you will understand, I do not want to spoil my precious book with erasures. So I obliterate my clumsy phrases with little snakes and so on.”
"Her quasi-nationalist, quasi-realist sentiments towards rural folk are matched by an aesthete's preference for classical and medieval references in Indian art" - Geeta Kapur
"Roerich was able to grasp and depict the subtle-most shades, hues and tones of the mountains, and their ethereal transparency… He sensed the subtle spirit and harmony of the mountains"
If you’re reading this then you are probably an art enthusiast and just a beginner at collecting art. Buying art is not so obvious and sounds easy just in theory. The mere volume of art...
From enough evidence of the past, at Ellora, Mahabalipuram or Konark for instance, artists have since revealed the spirit of the age through marvels intrinsically chiseled and carved...
"Challenges posed by the mediatic structures that now constitute a pervasive counter reality: art must now compete with and steal devices from, cinema, computer the internet...
We are bound to question the ascending demand and interest in the tribal arts, because if they were meant to sustain away from urban settlements, how did they come into the picture?
It’s rather surprising to know that oil painting was introduced at a large scale in India only when it was colonized. The oil on canvas style was a genre not delved into by Indian artists.
Art is subjective, beyond the theories of art interpretation, lies the simple truth, anything that makes you feel, is Art.
Hissa is an art initiative that seeks to create, collaborate, and connect with emerging artists in order to serve as a catalyst for the creation of a vibrant and supportive ecosystem
The name ‘Hissa’ which literally means ‘part’, resonates with the idea of our initiative : be a part of (art). Hissa (हिस्सा) is an art initiative that seeks to create, collaborate and connect with buddying artists thereby becoming a catalyst for initiating a lively and supportive ecosystem that can cater artistic expressions and lead their work to a broader audience of potential art collectors and enthusiasts.
Co-art.Hissa colloquially referred to as Art Studios is an essential environment for artists who are independent thinkers and doers.
Meet. Hissa is all about warm and casual but informed gatherings amongst artists, art lovers and inquisitive minds.
Talks.Hissa intends to invite competent individuals, groups or collectives from diverse fields to share their journey, understanding, work and expertise.
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